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All Journal MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts KALANGWAN Abdi Seni Tamumatra : Jurnal Seni Pertunjukan Journal of Music Science, Technology, and Industry (JOMSTI) Widyanatya: Jurnal Pendidikan Agama dan Seni Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Ghurnita: Jurnal Seni Karawitan Jurnal Pengabdian Seni Abdi Widya: Jurnal Pengabdian Masyarakat Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Ni Putu Hartini
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Journal : Journal of Music Science, Technology, and Industry (JOMSTI)

 1 
Konsep Dualistis dalam Pertunjukan Gender Wayang pada Pekan Seni Remaja Kota Denpasar Tahun 2015 Ni Putu Hartini
Journal of Music Science, Technology, and Industry Vol. 4 No. 1 (2021)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This paper discusses Gender Wayang, which is one of the older Balinese gamelan types. The progress that has occurred is that the public's interest in the Gender Wayang instrument is growing due to the orientation of the function which prioritizes as a form of performance that has aesthetic elements. Research methods: Qualitative research methods are carried out by relying on field data, applied to primary and secondary data sources where the data collected is carried out through direct interviews with creators or artists. Results and discussion: One form of this performance is at Pekan Seni Remaja Denpasar (Denpasar Youth Art Week), which is presented by a group of SMPN 6 Denpasar musicians. This is interesting as well as a challenge to examine the problem of how the Dualistic Concept in the Gender Wayang Performance at the Denpasar Youth Art Week 2015. The dualistic concept in the Gender Wayang performance at the Denpasar Youth Art Week 2015 can be seen from every element in the Gender Wayang performance. Implication: This dualistic concept can be viewed from the form of the instrument or the Gamelan Gender Wayang itself and its presentation system.
Komposisi Tabuh Kreasi Sekar Taji I Kadek Deo Sandiawan; Hendra Santosa; Ni Putu Hartini
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: The creation of a musical piece of musical art creation "Sekar Taji" is to realize the imagination or thoughts of the stylist in a new creative musical work. The stylist got an idea from his own experience to make a creative percussion using the gamelan Gong Kebyar as a medium of expression. Research Method: To achieve Balinese musical works, the stylist uses several methods or stages for the creation process, namely the first with the preparation stage, the exploration stage, the formation stage, the guidance stage and the presentation stage. Results and discussion: The Tabuh Kreasi work "Sekar Taji" uses a kawitan, gendered, bapang and pusher structure by combining musical elements such as dynamics, tempo, melody and rhythm that are combined in such a way as to achieve a karawitan musical work, namely percussion creations. Implication: This work is manifested into a creative percussion through a creative process using existing patterns and patterns of strokes as a means of stimulating creativity in the sector of musical art.
Co-Authors A.A. Trisna Ardanari Adipurwa Haryati, Ni Made I Bagus Wijna Bratanatyam I Gede Gunadi Putra I Gusti Putu Sudarta I Kadek Deo Sandiawan I Kadek Widnyana, I Kadek I Komang Werdi Darmawan I Made Dwi Andika Putra I Made Dwi Rustika Manik I Nyoman Juniarta I Nyoman Mariyana I Nyoman Nyoman Mariyana I Nyoman Sudiana I Pande GedeYudista Wijasa I Putu Angga Mahendra I Putu Dony Suryawan I Putu Pryagus Nyoman Sana I putu Restu Andika Ida Bagus Oka Prabawa Iriani, Ni Wayan Marhaeni, Ni Komang Sekar Masyuni Sujayanthi, Ni Wayan Ni Komang Sekar Marhaeni Putu Sandra Devindriati Kusuma Putu Tiodore Adi Bawa Santosa, Hendra Tudhy Putri Apyutea Kandiraras Widiastuti, Ni Made Dian