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All Journal Jurnal Siasat Bisnis Jurnal Sosioteknologi ANDHARUPA RITME Journal of Animation & Games Studies Gelar : Jurnal Seni Budaya Jurnal Rupa Serat Rupa Journal of Design Atrat: Jurnal Seni Rupa Jurnal Islam Nusantara Jurnal Dimensi Seni Rupa dan Desain
Agus Sachari
Institut Teknologi Bandung
Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Education Engineering Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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PERANCANGAN PRODUK FASHION BAGI MASYARAKAT URBAN INDONESIA DENGAN PEMANFAATAN TENUN LURIK JAWA PEDAN Wenny Anggraini Natalia; Dian Widiawati; Agus Sachari
Serat Rupa Journal of Design Vol 3 No 2 (2019): SRJD-JULY
Publisher : Fakultas Seni Rupa dan Desain Universitas Kristen Maranatha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (654.174 KB) | DOI: 10.28932/srjd.v3i2.1002

Abstract

The existence of Javanese Pedan lurik weaving which is one of the Indonesian cultural heritages that needs to be preserved in this modern era. Using the method of observation, visual analysis and experimentation, it is designed to revitalize fashion products by utilizing Javanese lurik woven cloth intended for Indonesian urbanites with a character of young spirit, full of locality, and love of culture. Sustainable design methods become a solution by considering the impact on the natural and social environment at each stage, which will later be related to the economy of the community. Through this article, it is hoped that it will enrich the development of fashion products with Indonesian cultural nuances that will increase the selling power of Javanese lurik woven into the wider community. In addition, using revitalized Javanese Pedan motifs and patterns that have been revitalized, it is hoped that the public will become more aware that there are still regional motifs and patterns that are still unexplored and is expected to be more known and awake sustainability.
KANDUNGAN NILAI AJARAN “MEMANGUN RESEP TIYASING SASAMA” PADA RAGAM HIAS GERBANG KOMPLEKS MAKAM SUNAN DRAJAT Khozinatus Sadah; Achmad Haldani D; Agus Sachari
JURNAL ISLAM NUSANTARA Vol 2, No 2 (2018): KHAZANAH ISLAM NUSANTARA
Publisher : Lembaga Ta'lif wa An-Nasyr (LTN) PBNU

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (771.803 KB) | DOI: 10.33852/jurnalin.v2i2.91

Abstract

Sunan Drajat is one of the spreaders of Islam in the northern coast of Java island in the XV - XVI century by utilizing local culture as a medium of da’wah, one of which is in the form of religious symbols contained in decoration. At present, the tomb complex of Sunan Drajat is a religious tourist destination in Lamongan that can increase regional income, with visitors reaching 440 thousand people, in 2016. This study used a qualitative approach with aesthetic analysis, the morphology of Thomas Munro, aesthetic studies of Islam by Al Faruqi, and its meaning was carried out synchronously based on local oral traditions. The results showed that the decoration contained the meaning of Sunan Drajat's teachings and thoughts, namely memangun resep tyasing sasomo (we always make others happy), while the morphology consisted of lines, dots, expressions that formed a pavilion, mountains and tree of life. Aesthetic is achieved by a symmetrical arrangement with a pinch and focus in the center. Thus, the decoration at the main gate of the tomb complex of Sunan Drajat includes the media preaching the teachings of Sunan Drajat
ANALISIS SEMIOTIKA VISUAL PADA ILUSTRASI SAMPUL MAJALAH TEMPO EDISI “JERAT KEDUA”: Visual Semiotics Analysis in the Cover Illustration of Tempo Magazine's ‘Jerat Kedua’ Edition Azhar Natsir Ahdiyat; Acep Iwan Saidi; Agus Sachari
Jurnal Dimensi Seni Rupa dan Desain Vol. 20 No. 1 (2023)
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v20i1.7868

Abstract

The e-KTP megacorruption case in 2017 that dragged Setya Novanto made it a public conversation, including mass media like Tempo Magazine on its cover. Tempo Magazine uses illustrated images in each of its releases with distinctive characters and styles and often creates controversy. In addition, the illustrations on this cover also have various hidden meanings and codes that need to be interpreted deeply. Therefore, this study aims to explain the structure of the visual signs on the cover illustration of the “Jerat Dua” edition of Tempo Magazine. In addition, this research is also intended to reveal the codes contained in the cover illustration. This study uses a qualitative approach with an interpretive descriptive analysis. The method is visual semiotics with Roland Barthes' semiotics theory, including the structure of visual signs and the Five Codes of Barthes. The researcher concludes that the structure of the “Jerat Dua” edition of Tempo Magazine is composed from denotative signifier which change its meaning to connotative signified. The connotative meaning that appears is based on a convention, the anchoring of meaning, gestures/expressions, the use of metaphor/metonymy rhetoric, and references from reality. The codes that are revealed on the cover of this magazine include hermeneutic, semantic, proairetic, symbolic, and cultural codes. Keywords: illustration, magazine cover, visual semiotic, sign, code
Co-Authors Acep Iwan Saidi Achmad Haldani D Agung Eko Budiwaspada Al Hazmi Indrapasca Yoga Alvanov Zpalanzani Astrid Kusumowidagdo Azhar Natsir Ahdiyat Busratul Mukmin Sjahroeddin Diah Natarina Dian Widiawati Dimas Fakhruddin Kahfiati Kahdar Khozinatus Sadah Meirina Triharini Muhammad Ihsan DRSAS Naomi Haswanto Pribadi Widodo Rahmatsyam Lakoro Robby Firmansyah Setiawan Sabana Suciati Suciati Suciati Suciati Waridah Muthi'ah Wenny Anggraini Natalia