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All Journal Indonesian Journal of Geography Humaniora Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya INFORMASI Litera Jurnal Komunikasi Sosiohumaniora Jurnal YIN YANG Indonesian Journal of Applied Linguistics (IJAL) FRANCISOLA LiNGUA: Jurnal Ilmu Bahasa dan Sastra El-HARAKAH : Jurnal Budaya Islam Lingua Jurnal Bahasa dan Sastra Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Lingua Cultura Al-Ulum Indonesian Journal of Islam and Muslim Societies Rubikon: Journal of Transnational American Studies Poetika: Jurnal Ilmu Sastra Jurnal Ilmu Komunikasi Jurnal Ilmu Sosial dan Ilmu Politik Al-Jami'ah: Journal of Islamic Studies Mozaik Humaniora ATAVISME JURNAL ILMIAH KAJIAN SASTRA Empirisma; Jurnal Pemikiran dan Kebudayaan Islam Musawa : Jurnal Studi Gender dan Islam Jurnal Ilmu Sosial dan Ilmu Politik Religious: Jurnal Studi Agama-Agama dan Lintas Budaya Masyarakat, Kebudayaan dan Politik Journal of Language and Literature Jurnal Orientasi Baru Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra Al-Albab Indonesian Journal of Islamic Literature and Muslim Society Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Jurnal Pemikiran Sosiologi LEKSIKA k@ta Lire journal (journal of linguistics and literature Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Kandai English Language and Literature International Conference (ELLiC) Proceedings International Journal of Interreligious and Intercultural Studies Adabiyyat: Jurnal Bahasa dan Sastra IJISH (International Journal of Islamic Studies and Humanities) Khazanah Sosial Jantra JURNAL KOMUNIKASI DAN BISNIS Jurnal Kajian Seni Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Bakti Budaya: Jurnal Pengabdian kepada Masyarakat AKSARA: Jurnal Bahasa dan Sastra SASDAYA: Gadjah Mada Journal of Humanities Libraria: Ilmu Perpustakaan dan Informasi Journal of Contemporary Gender and Child Studies
Wening Udasmoro
Universitas Gadjah Mada
Religion Arts Humanities Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

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KONSTRUKSI MEDIA TERHADAP PEMBERITAAN KASUS PEREMPUAN KORUPTOR E, Hadiati; Abdullah, Irwan; Udasmoro, Wening
Al-Ulum Vol 13, No 2 (2013): Al-Ulum
Publisher : Institut Agama Islam Negeri (IAIN) Sultan Amai Gorontalo

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Abstract

Media bukanlah saluran yang bebas, karena tidak memberitakan apa adanya seperti yang sering digambarkan. Media justru mengkonstruksi realitas sedemikian rupa sehingga tidak jarang keluar dari konteksnya. Tidak mengherankan jika setiap hari secara terus-menerus dapat disaksikan bagaimana peristiwa yang sama diperlakukan secara berbeda oleh media. Salah satu pemberitaan media yang sangat sering muncul adalah persoalan korupsi yang melibatkan perempuan. Pemberitaan perempuan pelaku korupsi sangat sarat dengan kepentingan di luar substansi korupsi itu sendiri. Pemberitaan mengenai kasus korupsi yang melibatkan Gayus Tambunan dan Anggelina Sondakh misalnya, sangat berbeda penyajiannya. Gayus Tambunan selalu diposisikan sebagai orang yang cerdas, bisa menghadapi kasusnya, tegar, dan tidak disangkut-pautkan dengan persoalan domestiknya. Sementara pemberitaan Anggelina Sondakh selalu saja dikaitkan dengan kehidupan pribadinya. ------------------------Mass media are not free channels because they sometimes portrait and interprete news unlike its reality. Moreover, mass media are frequently construct a reality which are that out of context. It is not surprising; therefore, that every day an ongoing case-basis can be seen how the same event are treated differently by the mass media. This paper  assesses the issues of corruption which invoves women. Coverage of women perpetrators of corruption are heavily empasised bigger with interests outside substance of corroption itself. For example, reporting oncorruption cases invloving Gayus Tambunan and Angelina Sondakh have different presentation. Gayus Tambunan was always positioned as an intelligent person, could face case, tough, and not delt with domestic isssues; while the news over Anggelina Sondakh always associated with her personal life.
Discourse Subaltern dalam Masyarakat Interkultural: Mencermati Relasi Gender Jilbab dan Perempuan Berjilbab di Prancis Udasmoro, Wening
Jurnal Ilmu Sosial dan Ilmu Politik Vol 14, No 1 (2010): Multikulturalisme dan Pergulatan Identitas
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik Universitas Gadjah Mada

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Abstract

After 11 September 2001, hijab and women with hijab have become the new subaltern in the contemporary social and cultural relationships in France. It is interesting to see how political elites, society and women with hijab are seeing those symbols as part of their subject position—emphasizing the concept of ‘self’ and ‘others’. This paper is based on research which employed Critical Discourse method, specifically to examine the level of actor’s positioning in order to elaborate how positioning is used to examine the dynamics of social relation in France, including the various forms of its transformation and its resistence.
PARADOKSALITAS PEMOSISIAN PEREMPUAN NOVEL COLOMBA KARYA PROSPER MERIMEE Udasmoro, Wening
Jurnal Kawistara Vol 5, No 1 (2015)
Publisher : Sekolah Pascasarjana UGM

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Abstract

Women have been narrated by men authors since classical literature; this has continued into contemporaryliterature. In the 19th century, many authors were interested in narrating and positioning women intheir novels. This period can be considered one of transition, in which traditionality and modernity werecontested because of influences from the industrial revolution and many other social movements inEurope. This period was also one of challenge, with the appearance of Gustave Flaubert’s novel MadameBovary, which was questioned because of moralistic issues. If in the early 19th century traditionalitywas represented by Eugénie Grandet and Balzac’s figures of woman, but in the middle of the centuryFlaubert dealt with freedom of sexuality, what discourses were presented in between these two differentperiods? This article aims at explaining the bridging of the gap between the symbols of traditionalityand modernity, especially through the representation of women. Mérimée’s novel, Colomba, depicts theagency of a woman named Colomba. In this novel, Mérimée not only showed the position of women visà vis men in parental or conjugal relation, like in the novels Eugénie Grandet or Madame Bovary. Rather,the author attempted to look at the relationship between masculinities and femininities in a Corsicancontext, in which the intersection of gender and social class (as well as traditions) was different than inthe Parisian context. The relation between the novel and the social structure in the 19th century Europeplays an important part in the discussion and explanation of the relationship between the literature andsocial narration of that period
Forgiveness: Its Power and Complexities Tridiatno, Yoachim Agus; Banawiratma, JB.; Udasmoro, Wening
Jurnal Orientasi Baru VOLUME 20, NOMOR 02, OKTOBER 2011
Publisher : Jurnal Orientasi Baru

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Abstract

Secara tradisional memaafkan telah dihidupi oleh masyarakat Indonesia. Akhir-akhir ini disadari bahwa memaafkan merupakan sarana terapi yang ampuhuntuk menyembuhkan luka-luka batin akibat kekerasan dan perlakuan buruk dimasa lampau. Memaafkan merupakan jalan ke arah rekonsiliasi dan perdamaian.Maka terapi dan studi memaafkan berkembang pesat di seluruh penjuru dunia.Namun, sesungguhnya memaafkan bukan sekedar sarana terapi melainkanungkapan kemurahan hati dari si pemberi maaf, bukan demi kepentingan sipemberi maaf itu. Memaafkan merupakan kekuatan yang menyembuhkan danmenghidupkan. Memaafkan juga berhubungan dengan keadilan dan rekonsiliasi.Dengan demikian, pengertian dan makna memaafkan sangat kompleks
PERGESERAN NILAI-NILAI ISLAM DALAM CERITA ALADDIN: PERBANDINGAN “ARABIAN NIGHTS” DAN FILM ANIMASI DISNEY Rahayu, Mundi; Abdullah, Irwan; Udasmoro, Wening
El-HARAKAH (TERAKREDITASI) Vol 17, No 1 (2015): EL HARAKAH
Publisher : UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (194.282 KB) | DOI: 10.18860/el.v17i1.3085

Abstract

This study compares the folktale “The Story of Aladdin and the Wonderful Lamp” from the Arabian Nights, and the animated film produced by Walt Disney Feature Animation under the title “Aladdin” (1992). The story of Disney’s animated film “Aladdin” is based on the “The Story of Aladdin and the Wonderful Lamp.” The comparison of the two is focused on the aspect of Islamic values, its shifts and changes in the animated film Aladdin. The study applies Fairclough’s Critical Discourse Analysis, by applying the three stages of analysis.  The first level is micro level, on the language practice. In the second level, mezo level, discusses the discourse practice that covers the intertextuality that explore the production and consumption of text as the reference in delivering the ideas. In the third level, macro level, it interprets the social context of particular events. The finding shows that there is a change of discourse of Islamic value which is strongly expressed in the origiinal Aladdin story of “Arabian Nights” especiallly the important role of family. On the other hand, in the animated film Aladdin, remove the discourse of Islamic value and change it into the discourse of freedom. Artikel ini membandingkan dua cerita Aladdin yang diterjemahkan ke dalam bahasa Inggris menjadi Arabian Nights dengan judul cerita “The Story of Aladdin and the Wonderful Lamp,” dengan film animasi produksi Walt Disney Feature Animation dengan judul “Aladdin” (1992). Cerita Aladdin dalam film animasi ini didasarkan pada cerita“The Story of Aladdin and the Wonderful Lamp.” Perbandingan ini difokuskan pada aspek nilai-nilai Islam, pergeseran dan perubahan yang terjadi pada film animasi Aladdin. Studi ini menerapkan Analisis Wacana Kritis Fairclough dengan menerapkan tiga tingkatan analisis. Tingkatan pertama adalah analisis mikro atau aspek bahasa. Pada tingkatan kedua adalah tingkatan mezo, yang menganalisis praktik wacana yang mencakup intertekstualitas yang mengeksplorasi produksi dan konsumsi teks referensi atas suatu gagasan. Pada tataran ketiga, tataran makro analisis difokuskan pada konteks sosial dari suatu peristiwa naratif tertentu. Hasil analisis menunjukkan bahwa ada pergeseran dan perubahan nilai-nilai Islam yang dalam cerita Aladdin. Dalam “Arabian Nights” cerita Aladdin sangat menonjolkan wacana nilai Islam terutama dalam hal peran penting keluarga, sedangkan dalam film animasi Aladdin wacana yang menonjol adalah nilai kebebasan.
NEGOSIASI MITOS HUBUNGAN PEREMPUAN DENGAN ALAM DALAM TEKS OPERA BATAK PEREMPUAN DI PINGGIR DANAU KARYA LENA SIMANJUNTAK (TINJAUAN EKOFEMINISME) W, Elly Prihasti; Udasmoro, Wening; Simatupang, Lono L.
Lingua Vol 13, No 2 (2017): July 2017
Publisher : Lingua

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Abstract

Perempuan lahir bukan “sebagai perempuan”, tetapi “menjadi perempuan”. Pernyataan Beauvoir ini mempertegas bahwa sosok perempuan ada karena ‘menjadi’. Sosok perempuan atau ibu yang ideal dari zaman peradaban sampai sekarang selalu mengalami perubahandari yang paling dihargai/dipuja sampai dibenci/dicela. Sastra adalah kaya tiruan yang mampu merefleksikan dan merepresentasikan dunianya. Teks Opera Batak Perempuan di Pinggir Danau karya Lena Simanjuntakmerepresentasikan bagaimana perempuan dimitoskan mempunyai kedekatan dengan alam sampai pada yang mengingkari alam.Namun demikian, ada pandangan yang kontras dalam diri perempuan maupuan antar individu. Bagaimanakah hubungan perempuan dengan alam dimitoskan? Data penelitian ini berupa kalimat-kalimat dalam dialog yang menggabarkan tematema hubungan perempuan dengan alam. Data diperoleh dengan menggunakan metode simak. Data yang terkumpul kemudian dianalisis dengan teknik dialogis kontradiktif, yaitu data yang kontradiksi didialogkan dengan menggunakan kajian ekofeminisme, yang melihat dampak pembanguan bagi kedekatan perempuan dengan alam.Hasil penelitian menunjukka bahwa zaman dan kuasa berandil dalam menciptakan mitos hubungan perempuan dengan alam.Simone de Beavoir stated that women are born not “as a woman”, but “being a woman”. This statement confirmed that women exist because of ‘being’. The ideal figure of a woman or the mother in the present times civilization is always on changing, from the most respected figure/ adoredto become a hated / heckled figure. These figures of women ricely reflected in literary works to record the image of women through their world. Lena Simanjuntak’sOpera Batak Perempuan di Pinggir Danauis one of literary works, which represent how women mythologyzed of which they have a closeness relationshipwith nature or denies nature. Women even portrayed have a contrast views between one another, or they have no the universal view about the nature. The changeof the myth of women relationship with nature is caused of the changing times and the power that surround it. So, this writing will explore how the myth of women relationship with nature negotiated in this literary work. The data of this study is taken from sentences in the dialogue that illustrate the theme of all natural relations with women. Data obtained using methods refer to. The collected data were then analyzed by dialogic contradictory,by using ecofeminism point of view, then decided to be the tools of analysis. They stated that there is a close relationship between the development impact on women closeness to nature.
When the Teens Narrate the Selves in Indonesian Literature: Gender, Subject, and Power Udasmoro, Wening
Lingua Cultura Vol 12, No 1 (2018): Lingua Cultura Vol. 12 No. 1
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v12i1.1961

Abstract

The subjects that participated in the production of meaning in the literature included authors, publishers, and illustrators. The aim of this article was to investigate the role and the exercise of the power of these different subjects in trying to construct teenager identities through teen’s literature in different eras of Indonesia. Different teenager literature was analyzed since The New Order to the Reformasi Era of Indonesian political rule. This research used the Critical Discourse Analysis method, which examined all social and cultural products as discourse. Discourse in this context was the construction that contained within it components that require attention. The analysis shows that there is an environment of gender, middle-and upperclass production, consumption, and the reproduction of narration by those different subjects. All of them compete because they have different agendas. However, they also negotiate and work collaboratively through their own narrations, because they all have the same objective of acquiring financial benefit.
DISKURSUS ISLAM DALAM KONSTRUKSI MEDIA Fahmi, Muhammad; Abdullah, Irwan; Noviani, Ratna; Udasmoro, Wening
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 10, No 2 (2015): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (918.087 KB) | DOI: 10.18860/ling.v10i2.3214

Abstract

This paper aims to examine how the secular media in Surakarta represent Islam in the case of Charlie Hebdo. Therefore, this study used discourse analysis of Theo van Leeuwen focusing on how the subject or actor of the show in the media. This study concluded that the media represent Islam not only with “Western ideology” through idioms such as radical Islamist militants and terrorists, but also with "Islamic ideology". It is done through the construction of Islam as a religion of moderation and delegitimize Charlie Hebdo as magazine satyr abusing freedom. Various strategies are used ranging from strategy passivation to interdetermination. In this case, there are two poles of attraction in both media, namely the Western and Islamic ideology. If both media are quoting from Western sources, the Western ideology dominates the media narrative. Conversely, when both media used Islamic sources, the influence of Islamic ideology dominates the narrative of both media. 
“ALADDIN” FROM ARABIAN NIGHTS TO DISNEY: THE CHANGE OF DISCOURSE AND IDEOLOGY Rahayu, Mundi; Abdullah, Irwan; Udasmoro, Wening
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 10, No 1 (2015): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (660.125 KB) | DOI: 10.18860/ling.v10i1.3030

Abstract

This study compares the folktale “The Story of Aladdin and the Wonderful Lamp” from the Arabian Nights, and the animated film produced by Walt Disney Feature Animation under the title “Aladdin” (1992). The differences of those two stories in two different medias shows the shifts of ideology and discourse. The study applies Fairclough’s Critical Discourse Analysis, by applying the three stages of analysis.  The first level is micro level, on the language practice. In the second level, mezo level, discusses the discourse practice that covers the intertextuality of ideas, concept as the reference in delivering the ideas. In the third level, macro level, it interprets the social context of   particular events, especially the social practice in exercising their power. The finding shows that the Disney’s Aladdin campaigns ideology that refers to the American values such as freedom and American heroism. Besides, the discourse of Arab barbarism is developed in line with the practice of   stereotyping such as labeling the Arab people as barbaric, bad, silly and wicked as well as dangerous Arabs. These imply to the removals of the Islamic messages and values that exists in the original tales of Arabian Nights. The Disney’s Aladdin completely removes the Islamic messages and values, and changes them into ‘American values’.
THE TRANSFORMATION OF THE EVANGELICAL CHURCH OF VIETNAM AND THE TORAJA CHURCH IN INDONESIA TOWARD WOMEN-INCLUSIVE LEADERSHIP: CULTURAL, POLITICAL AND RELIGIOUS CONTEXTS and Jeanny Dhewayani, Le Ngoc Bich Ly, Wening Udasmoro,
EMPIRISMA: JURNAL PEMIKIRAN DAN KEBUDAYAAN ISLAM Vol 26, No 2 (2017): Theology : Theory and Practice
Publisher : STAIN Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30762/empirisma.v26i2.689

Abstract

This paper starts with the question: Why do Protestant churches in Asia have different levels of accommodating women in leadership? By taking two case studies - the Evangelical Church of Vietnam (ECVN) and the Toraja Church in Indonesia that have similar starting points but different levels of transformation regarding women’s leadership, the paper aims to explore how the cultural, political, and religious contexts of these churches are different and how they contribute to the different process of church transformation toward women-inclusive leadership based on both primary and secondary data. Keywords: Women in Leadership, The Evengelical Church of Vietnam, Toraja Church
Co-Authors Achmad Fawaid, Achmad Agustin, Eva Akalili, Awanis Albertine Darasita Anjani Anak Agung Gede Sugianthara Andi Mustofa Andriani, Merry Aprilia Firmonasari Aprillia Firmonasari Arifah Arum Candra Hayuningsih B. R. Suryo Baskoro B.R. Suryo Baskoro Banawiratma, JB. Bannaga Taha Al-Zubair Hussen Danial Hidayatullah Dian Pratiwi Diana Safinda Asran Dicky Sofjan Endang Fatmawati Endang Fatmawati Euis Nurlaelawati Eva Agustin F.X Nadar Fauzan Hanif Fikha Nada Naililhaq Gayatri, Satya Hadiati E Hadiati E Hadiati Erry Hayatul Cholsy I Dewa Putu Wijana I Gusti Ngurah Antaryama Ida Bagus Gede Aric Surya Lesmana Ida Purnama Sari Ida Rochani Adi Irwan Abdullah Irwan Irwan J. Susetyo Edy Yuwono JB Banawiratma JB. Banawiratma Juliasih J. June Cahyaningtyas Kafana Fityah Kayla Taqiyya Kamila Adnani Kamila Adnani, Kamila Lono L. Simatupang Maksimilianus Jemali Margaretha Finna Calista Marsono Marsono Maurisa Zinira Merry Andriani Miftahul Huda Mite Setiansah Muhammad Fahmi Muhammad Najib Azca Mundi Rahayu Mutiah Amini Nadya Annisa Noer Naila Fauziah NFN Mustika Noer, Nadya Annisa Nur Saktiningrum Pujiharto Pujiharto Rahmatika Luthfiana Sholikhah Ratna Noviani Ratna Noviani Resha Naura Safa Amelia Rizqia Nuur Maziyya Roberta Salsano Roberta Salzano Roza Muliati Rr. Paramitha Dyah Fitriasari Rudi Ekasiswanto Ruhaida, Nana Saeful Anwar Sal Murgiyanto Sal Murgiyanto, Sal Samuel Rihi Hadi Utomo Sandya Rani Yunita Setiadi Setiadi Setiadi Setiadi Siti Aisyah Yasmin Sri Margana Sri Ratna Saktimulya Sri Roviana Subiyantoro Subiyantoro Subiyantoro Suhadi Cholil Suhandano Suhandano Sulistyowati Sulistyowati Sulistyowati Sulistyowati Susiati Susiati SYABANA, Rosidin ALI Tangguh Okta Wibowo Tesya Imanisa Setiadi Tri Indri Hardini Tri Mastoyo Jati Kesuma W, Elly Prihasti Wisma Nugraha Christianto Richardus Wiwid Nurwidyohening Wiwin Siti Aminah Rohmawati Wulan Nurrahma Azhari Wulan Tri Astuti Yoachim Agus Tridiatno Yulia Nasrul Latifi Yulia Nasrul Latifi, Yulia Nasrul Yuniarti Sibuea