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All Journal Dimensi Interior MUDRA Jurnal Seni Budaya Segara Widya: Jurnal Penelitian Seni Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Jurnal Bali Membangun Bali Jurnal Vastukara: Jurnal Desain Interior, Budaya, dan Lingkungan Terrbangun Viswa Design : Journal of Design Abdi Widya: Jurnal Pengabdian Masyarakat Journal of Aesthetics, Design, and Art Management
Noorwatha, I Kadek Dwi
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Public Health Social Sciences Transportation Other

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Journal : Segara Widya: Jurnal Penelitian Seni

 1 
Studi Struktur Dan Konstruksi Pada Kerajinan Mebel Bambu Di Desa Belega, Gianyar, Bali Tiaga, I Nyoman Adi; Noorwatha, I Kadek Dwi
Segara Widya : Jurnal Hasil Penelitian dan Pengabdian Masyarakat Institut Seni Indonesia Denpasar Vol 3 (2015): November
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (945.836 KB) | DOI: 10.31091/sw.v3i0.210

Abstract

Penelitian ini dilakukan bertujuan untuk dapat mengeksplorasi berbagai jenis konstruksi bambu dan stuktur mebel bambu yang sedang berkembang, juga merumuskan karakter masing masing konstruksi yang ada pada kerajinan mebel bambu desa Belega Gianyar sebagai patokan dalam memahami keanekaragaman konstruksi mebel bambu yang berkarakter khas Bali. Selain masih kurangnya literatur tentang mebel bambu sebagai bahan pengajaran, juga disesuaikan dengan visi dan misi ISI Denpasar sebagai center of excellence dan bidang seni budaya, dipandang perlu untuk mengkaji hasil karya pengerajin mebel tradisional Bali di desa belega sebagai dasar pengembangan desain mebel yang mengangkat nilai lokal dan berwawasan global. Hasil penelitian menunjukkan bahwa ada 4 sistem konstruksi utama yang diterapkan yaitu purus, purus tembus, kawang dan boleh; yang dalam konteks struktur telah mempertimbangkan unsur ergonomic, property mekanikal bambu, gaya yang ditopang mebel dan juga estetika. Pada sisi perkembangan, tampak tidak terjadi perkembangan setelah perkembangan gaya “boleh” pada tahun 1980an yang dipengaruhi faktor masih tingginya tingkat plagiasi antar pengerajin, kondisi ekonomi global yang berhubungan tren (selera pasar), kurangnya promosi secara massif yang berpengaruh langsung terhadap lemahnya nilai inovasi dan kreatifitas pengerajin mebel bambu. The goal of this research is to formulate the various types and characteristic of construction structures of bamboo furniture products of Belega village Gianyar. As a benchmark in understanding the diversity of bamboo furniture construction with Balinese character. In addition to the lack of literature on bamboo furniture as teaching materials, also adapted to the vision and mission of ISI as a center of excellence and the field of art and culture, it is necessary to examine the work of craftsmen of Belega’s traditional furniture as the basis for the development of furniture design which raised the value of the local and a global perspective. The results showed that there are four major construction system is applied, namely “purus” (porus-dowell), “purus tembus”, “kawang” and “boleh”; which in the context of the structure has to consider elements of ergonomic, mechanical properties of bamboo, sustained style furniture as well as aesthetics. On the side of development of construction system, there is no development occurred after the development of the style of "boleh" in the 1980s were influenced by the high level of plagiarism among craftsmen, global economic conditions related with trends, lack of promotion massively that directly influence the weakness of the value of innovation and creativity craftsmen bamboo furniture
Jenis Dan Bentuk Pepalihan Peciren Bebadungan Pada Pemesuan : Studi Kasus Desa Kesiman Udiyana Wasista, I Putu; Dwi Noorwatha, I Kadek
Segara Widya : Jurnal Hasil Penelitian dan Pengabdian Masyarakat Institut Seni Indonesia Denpasar Vol 6 No 2 (2018): November
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (625.882 KB) | DOI: 10.31091/sw.v6i2.552

Abstract

Pepalihan peciren bebadungan merupakan pakem pepalihan yang berkembang di wilayah Denpasar. Pakem pepalihan ini tersisa di wilayah Desa Kesiman, disebabkan daerah Kesiman tidak tersentuh vandalisme arsitektur pada masa penjajahan Belanda. Pepalihan digunakan pada arsitektur tradisional Bali sebagai ornamentasi dengan tujuan estetis. Salah satu jenis arsitektur tradisional bali yang menggunakan pepalihan adalah pemesuan. Penelitian ini memfokuskan pada pemesuan, disebabkan pemesuan merupakan identitas dari sebuah wilayah. melalui pepalihan pada pemesuan di wilayah Desa Kesiman, dapat diketahui bentuk dan jenis pepalihan peciren bebadungan yang lumrah digunakan sebagai gambaran identitas wilayah. Penelitian ini menggunakan pendekatan kualitatif dengan metode deskriptif komparatif melalui hasil wawancara dengan undagi. Pepalihan peciren bebadungan menggunakan permainan garis geometris dengan sistem konstruksi gandeng yang cukup rumit. Melalui permainan tersebut tercipta estetika khas bebadungan yang terkesan kokoh dan modern. Jenis pepalihan yang lumrah digunakan pada pemesuan di wilayah Desa Kesiman adalah palih sebitan, palih tiasan, palih ganggong, palih gumulung, palih gegilik, palih baong capung, palih kekarangan, palih sasak, dan palih lelempong.Pepalihan peciren bebadungan is a standard transfer system that is developing in the Denpasar area. This transfer system is left in the Kesiman Village area, because the Kesiman area was not touched by architectural vandalism during the Dutch colonial period. Transfers are used in traditional Balinese architecture as ornamentation with aesthetic purposes. One type of traditional Balinese architecture that uses transfer is pemesuan. This research focuses on traditional Balinese entrance, because the traditional Balinese entrance is the identity of a region. Through the transition to the establishment in the Kesiman Village, it can be seen that the shape and type of the traditional Peciren switch that is commonly used as an illustration of regional identity. This study uses a qualitative approach with descriptive comparative methods through the results of interviews with undagi. The transfer system of peciren bebadungan uses a geometric line game with an articulate construction system that is quite complicated. Through the game created a distinctive aesthetic that is solid and modern. The types of shifting that are commonly used in the processing in Kesiman Village are palih sebitan, palih tiasan, palih ganggong, palih gumulung, palih gegilik, palih baong capung, palih kekarangan, palih sasak, and palih lelempong. 
Strategi Desain Dari Visual Branding The 6Th International Seminar on Nusantara Heritage (ISoNH) 2017 Noorwatha, I Kadek Dwi; Wirawan, I Gusti Ngurah
Segara Widya : Jurnal Hasil Penelitian dan Pengabdian Masyarakat Institut Seni Indonesia Denpasar Vol 8 No 1 (2020): Maret
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1610.75 KB) | DOI: 10.31091/sw.v8i1.720

Abstract

This research is a qualitative descriptive study that examines the process of visual branding conceptualization from the 2017 ISoNH Seminar, whose significance is cross-cultural with a multidisciplinary approach. The stage of visual branding conceptualization can be divided into the stages of formulating a brand strategy, the stage of creative execution and the creative implementation stage. The results of the study indicate that ISoNh 2017's branding is an attempt to formulate the meaning of 'archipelago' as a regional identity as part of the creative design strategy of branding of an international seminar.
Studi Struktur Dan Konstruksi Pada Kerajinan Mebel Bambu Di Desa Belega, Gianyar, Bali I Nyoman Adi Tiaga; I Kadek Dwi Noorwatha
Segara Widya : Jurnal Hasil Penelitian dan Pengabdian Masyarakat Vol. 3 (2015): November
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (945.836 KB) | DOI: 10.31091/sw.v3i0.210

Abstract

Penelitian ini dilakukan bertujuan untuk dapat mengeksplorasi berbagai jenis konstruksi bambu dan stuktur mebel bambu yang sedang berkembang, juga merumuskan karakter masing masing konstruksi yang ada pada kerajinan mebel bambu desa Belega Gianyar sebagai patokan dalam memahami keanekaragaman konstruksi mebel bambu yang berkarakter khas Bali. Selain masih kurangnya literatur tentang mebel bambu sebagai bahan pengajaran, juga disesuaikan dengan visi dan misi ISI Denpasar sebagai center of excellence dan bidang seni budaya, dipandang perlu untuk mengkaji hasil karya pengerajin mebel tradisional Bali di desa belega sebagai dasar pengembangan desain mebel yang mengangkat nilai lokal dan berwawasan global. Hasil penelitian menunjukkan bahwa ada 4 sistem konstruksi utama yang diterapkan yaitu purus, purus tembus, kawang dan boleh; yang dalam konteks struktur telah mempertimbangkan unsur ergonomic, property mekanikal bambu, gaya yang ditopang mebel dan juga estetika. Pada sisi perkembangan, tampak tidak terjadi perkembangan setelah perkembangan gaya “boleh” pada tahun 1980an yang dipengaruhi faktor masih tingginya tingkat plagiasi antar pengerajin, kondisi ekonomi global yang berhubungan tren (selera pasar), kurangnya promosi secara massif yang berpengaruh langsung terhadap lemahnya nilai inovasi dan kreatifitas pengerajin mebel bambu. The goal of this research is to formulate the various types and characteristic of construction structures of bamboo furniture products of Belega village Gianyar. As a benchmark in understanding the diversity of bamboo furniture construction with Balinese character. In addition to the lack of literature on bamboo furniture as teaching materials, also adapted to the vision and mission of ISI as a center of excellence and the field of art and culture, it is necessary to examine the work of craftsmen of Belega’s traditional furniture as the basis for the development of furniture design which raised the value of the local and a global perspective. The results showed that there are four major construction system is applied, namely “purus” (porus-dowell), “purus tembus”, “kawang” and “boleh”; which in the context of the structure has to consider elements of ergonomic, mechanical properties of bamboo, sustained style furniture as well as aesthetics. On the side of development of construction system, there is no development occurred after the development of the style of "boleh" in the 1980s were influenced by the high level of plagiarism among craftsmen, global economic conditions related with trends, lack of promotion massively that directly influence the weakness of the value of innovation and creativity craftsmen bamboo furniture
Jenis Dan Bentuk Pepalihan Peciren Bebadungan Pada Pemesuan : Studi Kasus Desa Kesiman I Putu Udiyana Wasista; I Kadek Dwi Noorwatha
Segara Widya : Jurnal Hasil Penelitian dan Pengabdian Masyarakat Vol. 6 No. 2 (2018): November
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (625.882 KB) | DOI: 10.31091/sw.v6i2.552

Abstract

Pepalihan peciren bebadungan merupakan pakem pepalihan yang berkembang di wilayah Denpasar. Pakem pepalihan ini tersisa di wilayah Desa Kesiman, disebabkan daerah Kesiman tidak tersentuh vandalisme arsitektur pada masa penjajahan Belanda. Pepalihan digunakan pada arsitektur tradisional Bali sebagai ornamentasi dengan tujuan estetis. Salah satu jenis arsitektur tradisional bali yang menggunakan pepalihan adalah pemesuan. Penelitian ini memfokuskan pada pemesuan, disebabkan pemesuan merupakan identitas dari sebuah wilayah. melalui pepalihan pada pemesuan di wilayah Desa Kesiman, dapat diketahui bentuk dan jenis pepalihan peciren bebadungan yang lumrah digunakan sebagai gambaran identitas wilayah. Penelitian ini menggunakan pendekatan kualitatif dengan metode deskriptif komparatif melalui hasil wawancara dengan undagi. Pepalihan peciren bebadungan menggunakan permainan garis geometris dengan sistem konstruksi gandeng yang cukup rumit. Melalui permainan tersebut tercipta estetika khas bebadungan yang terkesan kokoh dan modern. Jenis pepalihan yang lumrah digunakan pada pemesuan di wilayah Desa Kesiman adalah palih sebitan, palih tiasan, palih ganggong, palih gumulung, palih gegilik, palih baong capung, palih kekarangan, palih sasak, dan palih lelempong.Pepalihan peciren bebadungan is a standard transfer system that is developing in the Denpasar area. This transfer system is left in the Kesiman Village area, because the Kesiman area was not touched by architectural vandalism during the Dutch colonial period. Transfers are used in traditional Balinese architecture as ornamentation with aesthetic purposes. One type of traditional Balinese architecture that uses transfer is pemesuan. This research focuses on traditional Balinese entrance, because the traditional Balinese entrance is the identity of a region. Through the transition to the establishment in the Kesiman Village, it can be seen that the shape and type of the traditional Peciren switch that is commonly used as an illustration of regional identity. This study uses a qualitative approach with descriptive comparative methods through the results of interviews with undagi. The transfer system of peciren bebadungan uses a geometric line game with an articulate construction system that is quite complicated. Through the game created a distinctive aesthetic that is solid and modern. The types of shifting that are commonly used in the processing in Kesiman Village are palih sebitan, palih tiasan, palih ganggong, palih gumulung, palih gegilik, palih baong capung, palih kekarangan, palih sasak, and palih lelempong. 
Strategi Desain Dari Visual Branding The 6Th International Seminar on Nusantara Heritage (ISoNH) 2017 I Kadek Dwi Noorwatha; I Gusti Ngurah Wirawan
Segara Widya : Jurnal Hasil Penelitian dan Pengabdian Masyarakat Vol. 8 No. 1 (2020): Maret
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1610.75 KB) | DOI: 10.31091/sw.v8i1.720

Abstract

This research is a qualitative descriptive study that examines the process of visual branding conceptualization from the 2017 ISoNH Seminar, whose significance is cross-cultural with a multidisciplinary approach. The stage of visual branding conceptualization can be divided into the stages of formulating a brand strategy, the stage of creative execution and the creative implementation stage. The results of the study indicate that ISoNh 2017's branding is an attempt to formulate the meaning of 'archipelago' as a regional identity as part of the creative design strategy of branding of an international seminar.
Co-Authors Anak Agung Gde Rai Remawa Anak Agung Ngurah Kicko Indrawan Artadi, I Made Pande Cahyo Satriojati Hannah Brigitta I Dewa Ayu Sukma Indriawati I Gede Mugi Raharja I Gusti Agung Ananta Maheswara I Made Jayadi Waisnawa I Nyoman Adi Tiaga I Nyoman Kariasa, I Nyoman Ida Bagus Yamara Bawana Sidemen Ika, I Wayan Balika Imam Santosa Indra Sadguna, I Gde Made Kadek Aldi Agustino Salahin Kerdiati, Ni Luh Kadek Resi Maria Yolanda Vincent Ni Kadek Risda Amelia Nyoman Dewi Pebryani Olivia Salma Kurnia Padmanaba, Cok Gd Rai Patricia Yuriqe Richella Pedor Putu Ari Darmastuti Putu Ari Darmastuti Putu Ari Darmastuti Putu Dipta Astradinata Rachimatus Shadya Rainna Dwiariani Manikam Rudi Hartono Toddy Hendrawan Yupardhi, Toddy Hendrawan Vallent Monica Wasista, I Putu Udiyana Wirawan, I Gusti Ngurah