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THE POWER OF MONEY POLITIC IN THE NOVEL NAMAKU SUBARDJO BY HAPSARI ANGGARINI: PERSPECTIVE HEGEMONY GRAMSCI (KEKUASAAN MONEY POLITIC DALAM NOVEL NAMAKU SUBARDJO KARYA HAPSARI HANGGARINI: PERSPEKTIF HEGEMONI GRAMSCI) Dea Harumi Urbaningrum; Candra Rahma Wijaya Putra
Jurnal Gramatika Vol 6, No 2 (2020)
Publisher : Universitas PGRI Sumatera Barat

This study aims to describe the power of money politics conducted by elite and middle social classes in the form of hegemony. The hegemony that occurs in the novel Namaku Subardjo y Hapsari Hanggarini is a total or integral hegemony without coercion. Hegemony occurs because the main character never realizes that he is a hegemony by his employees. Uniquely, Jojo's employees were hegemony by his party's acquaintances. The object of research or data source is the novel Namaku Subardjo by Hapsari Hanggarini. Data is obtained from sentences or dialogues, units of stories that lead to social class and money politics. The research procedures carried out are: 1) reading the novel as a whole, 2) collecting and making data sources, 3) inventing data based on theory, 4) analyzing data and interpreting data. Discussion of the data in the form of description. The instrument used was researchers who were assisted with books and other supporting media. The discussion in the novel is that there are social classes that influence hegemony, namely high and middle social classes. Money politics happens in the novel without violence and volunteers to do it. The strong hegemony that is done, makes the main character does not stop to do money politics.

THE POWER OF MONEY POLITIC IN THE NOVEL NAMAKU SUBARDJO BY HAPSARI ANGGARINI: PERSPECTIVE HEGEMONY GRAMSCI (KEKUASAAN MONEY POLITIC DALAM NOVEL NAMAKU SUBARDJO KARYA HAPSARI HANGGARINI: PERSPEKTIF HEGEMONI GRAMSCI) Dea Harumi Urbaningrum; Candra Rahma Wijaya Putra
Jurnal Gramatika Vol 6, No 2 (2020)
Publisher : Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/jg.2020.v6i2.3858

This study aims to describe the power of money politics conducted by elite and middle social classes in the form of hegemony. The hegemony that occurs in the novel Namaku Subardjo y Hapsari Hanggarini is a total or integral hegemony without coercion. Hegemony occurs because the main character never realizes that he is a hegemony by his employees. Uniquely, Jojo's employees were hegemony by his party's acquaintances. The object of research or data source is the novel Namaku Subardjo by Hapsari Hanggarini. Data is obtained from sentences or dialogues, units of stories that lead to social class and money politics. The research procedures carried out are: 1) reading the novel as a whole, 2) collecting and making data sources, 3) inventing data based on theory, 4) analyzing data and interpreting data. Discussion of the data in the form of description. The instrument used was researchers who were assisted with books and other supporting media. The discussion in the novel is that there are social classes that influence hegemony, namely high and middle social classes. Money politics happens in the novel without violence and volunteers to do it. The strong hegemony that is done, makes the main character does not stop to do money politics.

CONSTRUCTION OF NATION AND NATIONALISM IN 4 INDONESIAN NOVELS IN EUROPE Candra Rahma Wijaya Putra; Rose Fitria Lutfiana
Widyaparwa Vol 48, No 1 (2020)
Publisher : Balai Bahasa Provinsi Daerah Istimewa Yogyakarta

This study aims to understand the concept of nation and nationalism through four literary works with a European background. The approach of literary sociology in this study is used to look for forms of Indonesian nationalism in Europe. The aim is to find the source of self-depiction as an important element in constructing the concept of the nation. The results showed that the self-image as an Indonesian identity was aimed at citizenship, history, culture (language and food), race (ethnicity), and religion. Collective awareness about citizenship, history, culture, and race refers to the locally imagined community, namely the Indonesian people. Religion refers to the universal community. The five elements are at the same time a source of nationalism, both the nation in understanding local and universal communities.Penelitian ini bertujuan untuk memahami konsep bangsa dan nasionalisme melalui empat karya sastra berlatar Eropa. Pendekatan sosiologi sastra dalam penelitian ini digunakan untuk mencari pembeda nasionalisme Indonesia di Eropa. Tujuannya adalah mencari sumber penggambaran diri sebagai unsur penting dalam mengkonstruksi konsep bangsa. Hasil penelitian menunjukan bahwa gambaran diri sebagai identitas keindonesiaan ditujukan dalam kewarganegaraan, sejarah, budaya (bahasa dan makanan), ras (etnis), dan agama. Kesadaran kolektif tentang kewarganegaraan, sejarah, budaya, dan ras merujuk pada komunitas terbayang lokal, yaitu bangsa Indonesia. Agama merujuk pada komunitas universal. Kelima unsur tersebut sekaligus sebagai sumber nasionalisme, baik bangsa dalam pemahaman komunitas lokal maupun universal.

Keindahan yang Semu: Analisis Dekonstruksi Derrida Nesa Riska Pangesti; Candra Rahma Wijaya Putra; Fina Hiasa; Yeni Yulia Andriani
Jurnal Bahasa dan Sastra Vol 10, No 1 (2022)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v10i1.115760

This research is motivated by the problems of beauty and normality that develop in society. Women are often seen as objects that must be judged and contested for their beauty. Beautiful and normal is considered a solid and patent construction. However, the meaning of beautiful and normal is not stable. The purpose of this study is to deconstruct the structure that is considered to be established regarding beauty and normality. The method used to deconstruct this structure is the deconstruction method offered by Derrida. The data source of this research is the novel Maya by Ayu Utami, while the data in this study are words, phrases, sentences, and paragraphs that contain discourses of beauty and normalcy in the novel Maya. Furthermore, data analysis is carried out through the study of binary oppositions to then look for the hierarchical structure in the binary oppositions. After obtaining the binary opposition and hierarchical structure, then the deconstruction process is carried out. The results obtained in this study include the normative structure of beauty and normality in the novel Maya, binary opposition in the novel Maya, and the deconstruction of beauty and normal in the novel Maya.

THE REPRESENTATION OF POWER HEGEMONY IN THE COLONIAL AND NEW ORDER ERA IN 'BALADA SUPRI' NOVEL (REPRESENTASI HEGEMONI KEKUASAAN PADA ZAMAN KOLONIAL DAN ORDE BARU DALAM NOVEL 'BALADA SUPRI') Syahrotul Latifah; Candra Rahma Wijaya Putra
Leksema: Jurnal Bahasa dan Sastra Vol. 5 No. 1 (2020)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/ljbs.v5i1.2107

The purpose of this research is to describe the social structures and the forms of power as well as their repetition from colonial era to New Order. This study used a sociological approach to literature with the theory of power hegemony proposed by Gramsci. This research was a type of descriptive-qualitative research. The data in this research are narratives, dialogues, and monologues quoted from the novel Balada Supri written by Mochamad Nasrullah. The results of this research showed that in the colonial era, th social structure consisted of colonizer and colonized group whereas in New Order era, there were government official group, which was supported by the capital owner group, and ordinary people group. In regard with the form of power, colonial era showed the dominance of violence and hegemony that was countered by native resistance through violence sas well. Meanwhile, in New Order era, there appeared to be violence and hegemony dominance with the resistance in the form of hegemony over intellectuals. On the other hand, the social structure and the form of power in the colonial era, particularly the dominance of violence, still continued in New Order era and was termed as neocolonialism.

Penyegaran Kompetensi Guru dalam Perancangan Media Pembelajaran Interaktif Menggunakan Aplikasi Articulate Storyline 3 Rose Fitria Lutfiana; Budiono Budiono; Candra Rahma Wijaya Putra
GERVASI: Jurnal Pengabdian kepada Masyarakat Vol. 7 No. 2 (2023): GERVASI: Jurnal Pengabdian Kepada Masyarakat
Publisher : LPPM IKIP PGRI Pontianak

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31571/gervasi.v7i2.5464

Kegiatan Pengabdian kepada Masyarakat (PkM) dilakukan di MA Muhammadiyah Malang yang didasari masih terbatasnya guru dalam memperoleh pengetahuan dan pelatihan terkait dengan media pembelajaran. Tujuan dari kegiatan PkM ini adalah meningkatkan kompetensi pedagogi guru untuk merancang dan mengimplementasikan media pembelajaran yang menarik dan interaktif sehingga diharapkan tercipta kegiatan pembelajaran yang efektif dan efisien. Peserta dalam kegiatan ini adalah guru-guru di MA Muhammadiyah 1 Malang yang berjumlah 10 orang. Metode pengabdian yang digunakan berupa focus group discussion, pelatihan dan pendampingan serta monitoring dan evaluasi. Untuk mengukur kemampuan guru dalam merancang media pembelajaran yang kreatif dan inovatif dilakukan dengan menggunakan angket. Hasil pre-test diperoleh rata-rata 74,8% sedangkan hasil posttest diperoleh rata-rata 90,2%, sehingga terjadi peningkatan sebesar 15% dengan tingkat ketercapaian sebesar 100%. Selain itu guru juga bisa membuat media articulate storyline 3 dengan sangat baik.

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