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All Journal Humaniora Harmonia: Journal of Research and Education Ringkang Jurnal Seni Tari dan Pendidikan Seni Tari Jurnal Inovasi Teknologi Pendidikan ANDHARUPA Jurnal Pendidikan Sekolah Dasar Tourism & Hospitality Essentials Journal Indonesian Journal of Early Childhood Education Studies MUDRA Jurnal Seni Budaya Panggung Jurnal Obsesi: Jurnal Pendidikan Anak Usia Dini Gondang: Jurnal Seni dan Budaya Jurnal Kewirausahaan dan Bisnis Cakrawala Dini : Jurnal Pendidikan Anak Usia Dini Tunas Siliwangi : Jurnal Program Studi Pendidikan Guru PAUD STKIP Siliwangi Bandung Jurnal Abmas Journal of Dance and Dance Education Studies
Juju Masunah
Universitas Pendidikan Indonesia
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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Pemuliaan Angklung melalui Model Desa Binaan Berbasis Wisata Seni dan Budaya Masunah, Juju
PANGGUNG Vol 22, No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.31

Abstract

Angklung has been awarded by UNESCO as one of the intangible world heritages from Indone- sia. One of the angklung preservation methods is through community based education. This article describes the result of research and community service activities to explore a model of community empowerment based on art and culture that uses Sundanese angklung instruments and local tradi- tional performing arts to attract tourism in Ciater Village, Subang. This research used a participato- ry action research method where researchers participate actively along with the community to create a touristic event involving art and culture. The findings of this research present that to empower a community using art and culture as an event for a tourist destination occurs by a collaborative work between local community, intelectuals, and bussiness. The community of Ciater village presented their innovation and creativity with Sundanese angklung music and local traditional performing arts in order to serve seventy tourists (artists) from Southeast Asia and Europe on October 7, 2011 for the first time. Keywords: Sundanese angklung, tourism of culture, Ciater Village.
Implementation of Arts Education in Society Through The Thematic Community Service Program Masunah, Juju; Kurniawati, Lely
Harmonia: Journal of Arts Research and Education Vol 18, No 2 (2018): December 2018
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v18i2.13769

Abstract

Since the transmission of arts education in the family is limited in Indonesia, the exploration of teaching strategy for community becomes imperative as a form of informal education. This article aims to report research results on the implementation of arts education in society through thematic community service program, namely Pos Pemberdayaan Keluarga (POSDAYA) or “family empowerment post.” This qualitative study used a project-based research method, which began by diagnosing the problems, creating a plan for activities, implementing the plan, and evaluating the results. Participants of this research were women and children from Bandung Barat Regency of West Java and students of Universitas Pendidikan Indonesia. Data were collected from interviews, participant observation, and study documentation. The data were triangulated and interpreted. The research found a collaborative teaching strategy between students, advisors, and women who worked for POSDAYA to implement arts education for children through creating dances and musical dramas. The story in the drama contains moral values such as caring for others, appreciating one’s parents, tolerance, and environmental awareness. Implementation of arts education through the community service program conducted by students and or faculty members is beneficial to develop children’s creativity and character.
ANALYSING FACTORS FOR COMMUNITY PARTICIPATION IN TOURISM DEVELOPMENT Setiyorini, Heri Puspito Diyah; Andari, Rini; Masunah, Juju
THE Journal : Tourism and Hospitality Essentials Journal Vol 9, No 1 (2019)
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/thej.v9i1.16988

Abstract

This study aims to understand the perceptions of local communities to participate in tourism development. The method used in the research is a quantitative approach. Questionnaires were distributed to local communities in major destinations in Bandung, West Java, Indonesia. There were 200 data set analyzed by factor analysis. The result showed that from 28 indicators of community participation, eight groups of factors formed. The groups are 1) place attachments; 2) perception of negative consequences; 3) Community Involvement; 4) Infrastructure Development; 5) Place Satisfaction; 6) Economic Benefit; 7) Government Support; 8) Community Collaboration. This result also shows that place attachment, perception of negative consequences, place satisfaction, and community collaboration have higher factor loading compares to other groups. The finding implies that in gaining community participation, these factors could be considered as the essence of communication message in raising public awareness and participation for tourism development.
Organizing Bandung Isola Performing Arts Festival (BIPAF) As A Market of Innovative Performing Arts in Indonesia Sukmayadi, Yudi; Masunah, Juju
Harmonia: Journal of Arts Research and Education Vol 20, No 1 (2020): June 2020
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v20i1.24380

Abstract

The purpose of this article is to discuss a festival model which promotes innovative performing arts in Indonesia. This qualitative approach used a project-based research method. The procedure of this research began with diagnosing the problems, making plan to conduct the festival in Bandung, conducting the festival, and evaluation. Data were collected by participation observation, interview, study of documentation, focused group discussion, and personal reflection. The findings of this research showed that Bandung Isola Performing Arts Festival (BIPAF) is a festival model as a form of market for innovative performing arts. The activities of BIPAF began with selecting/curating the performing artworks, holding art incubation, making promotion, show casing and pitching, as well as discussion and evaluation. BIPAF organizer designed a meeting within choreographers/producers and festival directors, curators and promotors of performing arts in Villa Isola outdoor stage in Universiatas Pendididkan Indonesia. This meeting was followed up by performing some pieces from BIPAF in the stage of SIPA and IMF Surakarta, and Korean Festival in South Korea. This festival contains a strategy value to develop creative industry sub sector of performing arts in Indonesia.
Analysis of The Implementation of Creative Dance in Early Childhood Education Wulandari, Hayani; Masunah, Juju; Narawati, Tati; Agustin, Mubiar
Indonesian Journal of Early Childhood Education Studies Vol 9 No 2 (2020): November 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/ijeces.v9i2.40930

Abstract

The purpouse of study to describe the teaching materials and application of creative dance in develop kinesthetic, musical, interpersonal and intrapersonal intelligence. Teaching materials are references that are made and used by teachers to carry out learning activities in the form of daily activity plan, covering learning objectives, content of material to be delivered, time allocation, media to be used until assessment. Teaching materials planning determines the achievement of the objectives of learning activities. This states that planning really needs to be done as well as possible and there is a need for a match between the teaching materials that have been planned and the learning implementation process. This research is a qualitative research with a case study approach conducted in one of the teachers a kindergarten in Purwakarta who was selected by purposive sampling technique. The data were collected by means of observation, interview, documentation and triangulation techniques. The result of the research states that there is a correspondence between the daily activity plan that has been made with the learning implementation process carried out by the teacher. It is hoped that it can continue to be maintained and developed again in the preparation of daily activity plans, so that it can be used by other teachers.
Analysis of The Implementation of Creative Dance in Early Childhood Education Wulandari, Hayani; Masunah, Juju; Narawati, Tati; Agustin, Mubiar
Indonesian Journal of Early Childhood Education Studies Vol 9 No 2 (2020): November 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/ijeces.v9i2.40930

Abstract

The purpouse of study to describe the teaching materials and application of creative dance in develop kinesthetic, musical, interpersonal and intrapersonal intelligence. Teaching materials are references that are made and used by teachers to carry out learning activities in the form of daily activity plan, covering learning objectives, content of material to be delivered, time allocation, media to be used until assessment. Teaching materials planning determines the achievement of the objectives of learning activities. This states that planning really needs to be done as well as possible and there is a need for a match between the teaching materials that have been planned and the learning implementation process. This research is a qualitative research with a case study approach conducted in one of the teachers a kindergarten in Purwakarta who was selected by purposive sampling technique. The data were collected by means of observation, interview, documentation and triangulation techniques. The result of the research states that there is a correspondence between the daily activity plan that has been made with the learning implementation process carried out by the teacher. It is hoped that it can continue to be maintained and developed again in the preparation of daily activity plans, so that it can be used by other teachers.
IMPLEMENTASI PENDIDIKAN SENI DI MASYARAKAT MELALUI KULIAH KERJA NYATA TEMATIK POSDAYA Masunah, Juju; ., Desfina; Kurniawati, Leli
ABMAS Vol 17, No 1 (2017): Jurnal Abmas
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/abmas.v17i1.36865

Abstract

A Review of The Sundanese Scale Theory Sasaki, Mariko; Masunah, Juju
Harmonia: Journal of Arts Research and Education Vol 21, No 2 (2021): December 2021
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v21i2.32995

Abstract

This article aims to discuss Kusumadinata’s scale theory in Sundanese music which has been taught in educational institutions in West Java, Indonesia. According to Kusumadinata’s scale theory, sorog and pelog are scales derived from salendro scale in gamelan salendro performance. In my previous research, I investigated three genres of Sundanese performing arts which have existed since the Hindu era, namely goong renteng, pantun, and tarawangsa. The results indicate that the pelog scale has independently existed since the Hindu era. Then, I analyzed the phenomenon that occurs in the gamelan salendro performance, i.e., its melody (rebab and vocals) conventionally modulate into scale ‘like sorog’, occasionally into scale ‘like pelog’, whereas the instruments of gamelan are in the salendro scale. However, the analysis on the sorog in the previous research was not enough, so that in this paper, I will focus on the sorog. To find out the relationship between melody (vocal and rebab) and gamelan instruments, I examined the actual performances of gamelan salendro and wayang golek purwa. It became clear that the salendro scale derives four types of sorog. The findings of this study indicate that sorog has existed since the 19th century by this phenomenon, and the scale now called sorog is a scale derived from salendro. 
PELATIHAN PENDIDIKAN SENI ANAK BAGI GURU PENDIDIKAN ANAK USIA DINI (PAUD) DAN SEKOLAH DASAR (SD) DI BANDUNG Trianti Nugraheni; Juju Masunah; Tati Narawati; Uus Karwati; Fifiet Dwi Tresna Santana
Tunas Siliwangi Vol 7, No 2 (2021): VOL 7 NO 2, OKTOBER 2021
Publisher : IKIP Siliwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22460/ts.v7i2p44 - 51.2885

Abstract

Pendidikan seni di Sekolah Dasar seakan tidak ada habisnya. Persoalan terjadi mulai dari: ketersediaan bahan ajar dan metode pembelajaran. Kemampuan guru bidang seni, hingga Perhatian pemerintah terhadap pendidikan seni. Pendidikan seni untuk informal di keluarga dan masyarakat perlu mendapat perhatian. Pendidikan informal ini kurang berjalan sebagaimana yang diharapkan karena persoalan tingkat pendidikan dan pengembangan diri dari orang tua serta kreativitas bagi anak usia dini itu sangatlah penting. Maka peneliti meneliti ini bertujuan untuk menerapkan pendidikan seni kepada guru dan tutor Pendidikan Anak Usia Dini (PAUD) dan Sekolah Dasar di Bandung. Metode kegiatannya adalah pelatihan secara virtual.  Metode ini memiliki langkah-langkah yang diawali dengan mendiagnosa masalah, membuat rancangan kegiatan, implementasi, dan evaluasi. Dalam membuat rancangan akan dilakukan pembuatan video pelatihan secara virtual. Dalam implementasinya dilaksanakan dalam bentuk workshop bagi guru secara virtual. Evaluasi kegiatan ini akan dilakukan dengan cara menyebarkan quesioner untuk memahami kemampuan guru dalam menyerap bahan materi secara virtual. Hasil kegiatan ini adalah sebuah model pelatihan pendidikan seni secara virtual bagi guru PAUD dan SD. Kata kunci:    Anak Usia Dini (PAUD), Pembelajaran Virtual, Pendidikan Seni
Pendekatan Saintifik dalam Pembelajaran Tari secara Daring nuri Fitriani,; juju Masunah; Ria Sabaria
Ringkang : Kajian Seni Tari dan Pendidikan Seni Tari Vol 2, No 1 (2022): Februari, 2022
Publisher : Departemen Pendidikan Seni Tari

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ringkang.v2i1.44420

Abstract

Pembelajaran tari yang terjadi di SMP Negeri 4 Bandung yang dilakukan secara daring berpengaruh kepada kreativitas gerak siswa. Tujuan dari penelitian ini yaitu untuk menguji model pendekatan saintifik dalam pembelajran seni tari secara daring dengan stimulus apresiasi untuk meningkatkan kreativitas gerak siswa. Penelitian ini dilakukan menggunakan metode eksperimen dengan desain Pre-eksperimental pendekatan kuantitatif. Jenis penelitian yang digunakan yaitu menggunakan desain one-group pretest-postest design. Populasi penelitian ini adalah 33 pesera didik kelas VIII B dengan sampel 10 peserta didik dari kelas VIII B di SMP Negeri 4 Bandung, dengan teknik simple purposive sampling(sampel secara tertentu). Alasannya karena dalam pembelajaran seni tari secara daring memiliki hambatan pada akses internet dan penggunanaan laptop yang tidak semua siswa memilikinya. Maka dari itu hanya terdapat 10 responden yang dapat mengikuti. Hasil dari penelitian ini dapat dilihat dari nilai pretest dan posttest dengan adanya peningkatan yang signifikan pada kreativitas gerak siswa dalam pembelajaran seni tari secara daring. Pengumpulan data dilakukan melalui pembelajaran secara daring via zoom meeting, wawancara serta observasi. Peningkatan pada penelitian ini dapat dibuktikan dengan hasil uji t menghasilkan thitung ttabel, dengan nilai 26,26 2.262. Dapat diketahui bahwa thitung Ttabel, menunjukan bahwa model pendekatan saintifik melalui stimulus audio signifikan terhadap peningkatan kreativitas siswa dalam pembelajaran seni tari secara daring.
Co-Authors ., Desfina Ace Iwan Suryawan, Ace Iwan Agus Ahmad Wakih Agus Budiman Arief Johari Ayo Sunaryo Ayo Sunaryo Beben Barnas Beben Barnas Dedi Rosala Fadil Ahmad Nahrowi Fifiet Dwi Tresna Santana Hayani Wulandari Hayani Wulandari, Hayani Heni Komalasari Heri Puspito Diyah Setiyorini LELI KURNIAWATI Lely Kurniawati Mariah, Yoyoh Siti Mubiar Agustin Nana Ganda Noviana Wluan Syafitri Nugraheni, Trianti nuri Fitriani, Puspa Melliyanti Ramdhani Putri Lilis Dyani Rakhmat, Cece Reni Haerani Ria Sabaria Riana Rosa Prastika Rini Andari, Rini Rusnia Yanti Sandi Jembar Wijaya Santi Aditiya Sasaki, Mariko Shifa Adelia Siti Asyifah siti Asyifs Tati Narawati Tri Karyono Uus Karwati, Uus Wulan Indah Fatmawati Wulan Purnamasari Yana Endrayanto yaris agustiani Yudi Sukmayadi Zakarias S. Soetedja