R Siti Rukayah
Architecture And Urban Planning PhD Program, Architecture Department, Faculty Of Enginering, Universitas Diponegoro, Semarang, Indonesia

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Journal : Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan

THE USE OF SPACE ON LIVING HOUSE AS A HAND DRAWN BATIK BUSINESS IN TOURIST VILLAGE OF BATIK TULIS LASEM Arief Satya Wijaya; Titien Woro Murtini; R Siti Rukayah
ARSITEKTURA Vol 16, No 2 (2018)
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1748.609 KB) | DOI: 10.20961/arst.v16i2.24494

Abstract

Batik workers in Babagan Village work in the room used in together with household activities. Working on batik does not require special space and can use any space. The utilization of space is analyzed by theory of the basic form of space, the nature of space, type of space and productive house. The method used in this research is qualitative method. There are 9 batik workers who become observation units to obtain information needed in the research. There is some space that is used for batik these are kitchen, yard, terrace, dining room, and living room, so batik can be done in public space, semi public and service room but not done in private space because pollution, lighting and natural air still less. Determination of space utilization based on its location close to kitchen, toilet, and tool or materials storage room, no pollution, no exposed to rain splashes, there is space that can use while taking care of children, has enough room. There is no batik space at batik workers' house, which is a place to make batik. Space has sufficient the extent of space required for the process of batik (nyanting). While the type of business space is a combination of mixed types and separate types.
Arsitekur Multikultural pada Fasad Masjid Agung Sang Cipta Rasa Cirebon Lia Rosmala Schiffer; Atiek Suprapti Budiarto; R. Siti Rukayah; Yudi Nugraha Bahar
ARSITEKTURA Vol 20, No 2 (2022): Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/arst.v20i2.64108

Abstract

The Great Mosque of Sang Cipta Rasa is located in front of the Kasepuhan Palace Complex to the west of the square in front of the Kasepuhan Palace, Cirebon. The construction of this mosque was assisted by Sunan Bonang and Sunan Kalijaga. The physical work was carried out by the former Majapahit architect, Raden Sepat, assisted by 500 of his troops who were former Majapahit troops. (Budi, 2015). The religious shift from the end of the Hindu-Buddhist era to the entry of Islam affected the facade of the Great Mosque of Sang Cipta Rasa in Cirebon. Elements forming a building facade generally include the site entrance, ground floor zone, arcades, windows and building entrances, fences, roofs, and signs. and ornaments. This study uses a descriptive technique in its explanation. The research method used is a qualitative method, by observing the variable character of the facade of the Great Mosque of Sang Cipta. The purpose of this paper is to examine how the facade design of the Great Mosque of Sang Cipta on doors, windows, walls, and ornaments contains elements and components of Hindu, Javanese, Chinese and Islamic historical influences.
Co-Authors Abdullah Ali Abdurrahman Ibnu Auf, Abdurrahman Ibnu Abdurrohman Ibnu Auf, Abdurrohman Ibnu Agung Budi Sardjono Agung Nugroho Ajeng Sarinastiti, Ajeng Ali Alsharef Khlil Khalifah, Ali Alsharef Khlil Alin Pradita Agustin Andi Asrul Sani, Andi Asrul Annica Etenia Annica Etenia Annica Etenia Arief Satya Wijaya Arief Satya Wijaya Arieska Avianda Rachmayanie Ashri Amalia Hadi, Ashri Amalia Atiek Suprapti Atiek Suprapti Budiarto atik suprapti Bagus Wahono, Bagus Bambang Setioko Bambang Supriadi Bambang Supriadi Bambang Suprijadi Bambang Supriyadi berliana narimala Budi Sudarwanto Deni Wahyu Setiawan deni wibawanto Dewanggo Haryo Paramtopo Dewi Astuti Diana Susilowati disa ceria Djoko Indrasaptono Edward E. Pandelaki, Edward E. Edward Endrianto Pandelaki Fahmi Syarif Hidayat Fahmi Syarif Hidayat fathulia fatmatina Frisca Ajengtirani Ardiniken Fristy Sulistiani Gagoek Hardiman Giovano, Fariz Addo Glandisepa Chahyanita Dargayana Harsritanto, Bangun Indrakusumo Radityo Heru Wibowo Huda Muhammad Basalamah Iin Maryati, Iin Iskandar, Iskandar Iskandar Iskandar, Iskandar Iskandar Joesron Alisyahbana, Joesron Kristiani Budi Lestari Lia Rosmala Schiffer Lia Rosmala Schiffer Loretta Ernadia luthfan alfarizi, luthfan Mira Fitriana Mohammad Sahid Indraswara Mudhofar Muffid Muhammad Abdullah Muhammad Abdullah Muhammad Abdullah Muhammad Haramain Muhammad Qadaruddin Naufal Kresna Diwangkara Nunuk Juli Sufiati nurul kusumaningrum Pancawati Dewi Permata Widianingrum Puteri Iskandar Rany, Azhar Hasna Reangga Perkasa, Reangga Rohman Eko Santoso Septana Bagus Pribadi Sigit Ashar Setyoaji, Sigit Ashar Stella Prita Anugeraheni Sudarmawan Juwono Sudarmawan Juwono Sugiono Sutomo, Sugiono Suhargo Tri H. Suzana Ratih Sari Suzanna Ratih Sari Suzzana Ratih Sari titien murtini Titien Woro Murtini Titien Woro Murtini Titien Woro Murtini Titien Woro Murtini Titien Woro Murtini, Titien titin murtini, titin Titin Woro Murtini Untung Mujiono Wijayanti . Yudi Nugraha Bahar YUUSHIINA DINI HAPSARI, YUUSHIINA DINI