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Novrita, Sri Zulfia
Universitas Negeri Padang
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STUDI TENTANG BATIK KERINCI DI KOTA SUNGAI PENUH Hardanti, Elvi; Adriani, Adriani; Novrita, Sri Zulfia
Journal of Home Economics and Tourism Vol 6, No 2 (2014): Periode Juni 2014
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

 ¹ Prodi Pendidikan Kesejahteraan Keluarga untuk wisuda periode 100 Juni 2014 ² Dosen Jurusan Kesejahteraan Keluarga FT-UNP This research is a descriptive qualitative approach, which aims to describe the batik Kerinci in City Sungai Penuh, include: materials and tools used, motifs and batik techniques. Results of the study revealed: Fabrics used are cotton cloth with brand mori primisima and primed, shantung, silk and semi-silk. Wax used is carik, tembok, biron and recycled wax. The dye used is composed of: 1). Natural dyes that guava leaf extract, skin jengkol, mango leaves, the contents of saffron, onion skins and indigo grass. 2). Synthetic dyestuffs is napthol, indigosol, rapite, procion and Ramazol. Tool is a pencil, centimeters, scissors, wax paper, canting klowong, canting cap, pans, stove oil, canting walls, brush, cardboard, ender, cap table, cloth gloves, rags, cotton bud, scales, aqua glass, spoon plastic, metal spoon, bowl, bucket, scoop, plastic gloves, pot, super, sedok wood, buckets and wood stove. Motifs used is: terung pirus motif, biloik (lumbung padi), Masjid Angung and ukiran Masjid Agung, kulit manis, bungo pandan, pakau imbo, tumpal, tulisan incung, lapek terawang, enceng gondok, selampit simpei, pinggiran, jangki terawang, empat jenis, sirih tanyo, bunga reflesia, cerano, keluk paku, roda pedati, bakul, daun sirih, ketupat and patah tumbuh hilang berganti. Making process include: measuring and cutting cloth (mori), mordanting, patterns, ngelowong and mencap, mencolet, nembok, coloring dan melorot. Kata kunci: Batik Kerinci, Kota Sungai Penuh
PENGEMBANGAN MODUL TEKNIK JUMPUTAN MATA KULIAH ANALISIS TEKSTIL PADA PROGRAM STUDI PENDIDIKAN KESEJAHTERAAN KELUARGA FAKULTAS PARIWISATA DAN PERHOTELAN UNIVERSITAS NEGERI PADANG Oktaviani, Vina; Adriani, Adriani; Novrita, Sri Zulfia
Journal of Home Economics and Tourism Vol 15, No 2 (2017): Periode September 2017
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

The purpose of the research as an effort to solve the college students problem in Textile Analysis lectures at Pinching Tecnique.Thereare the difficulties in making pattern/motif and coloring process of pinching fubric. This purpose head for resulting media in valid and practical. This research was known as Research & Development (R&D). The research procedures include define, design and develop stages. The data was from validity test, small group and big group of college students practicallity test, and advisor of Textile Analysis leature subject. The validity test given to 3 validator, practicallity test given to 10 college students, big group practicallity test given to 30 college students and given to 1 advisor of Textile Analysis lectures subject. Based validity test the researcher got score 4,56 which categorized as valid. The result of practicallity test from small group was got score 78,50% which categorized as practical, big group test was got score 80,04% which categorized as very practical and test from advisor of lectures subject was got score 83,33% which categorized as very practical. So this module is proper to use as learning media.Keyword: Module, Pinching Tecnique, Valid and Practical.
PERBEDAAN MORDAN BELIMBING MANIS (Avverhoa Carambola) DAN BELIMBING WULUH (Avverhoa Bilimbi) TERHADAP HASIL PENCELUPAN PADA BAHAN SUTERA MENGGUNAKAN EKSTRAK BIJI KESUMBA (Bixa Orellana L) Alvina, Alvina; Adriani, Adriani; Novrita, Sri Zulfia
Journal of Home Economics and Tourism Vol 12, No 2 (2016): Priode Mei 2016
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

This study aimed to describe the name of the color (hue), light and dark colors (Value) and flatness of color for silk dyeing results using crimson seed extract (Bixa Orellana l) with mordant sweet star fruit and starfruit. This research is an experimental research. The data used are primary data sourced from 15 panelists, then the collected data is processed and analyzed using ANOVA and Percentage. Dyeing silk with crimson seed extract (Bixa Orellana l) without mordant produce Mineral Orange color with a value reasonably bright and flatness of color is quite average. Mordan sweet star fruit is Peach with bright value and average color flatness and mordant starfruit is Light Peach with a value very bright and flatness of color is very flat. The results of the data analysis of light and dark colors (value) indicates F count> F table = 3.320> 3. 22 This means that there is a significant difference to the light and dark colors (value) due to differences mordant. At the flatness of the color indicates Fhitung> Ftable = 9599> 3.22 means that there is a significant difference to the flatness of color due to differences mordant. Kata Kunci : Perbedaan Mordan, Ekstrak Biji Kesumba
PERBEDAAN PERBANDINGAN LARUTAN CELUP (VLOT) TERHADAP HASIL PENCELUPAN BAHAN SUTRA MENGGUNAKAN EKSTRAK KELOPAK BUNGA ROSELLA (HIBISCUS SABDARIFFA L) DENGAN MORDAN TAWAS (AL2(SO4)3) Syafitri, Rika; Adriani, Adriani; Novrita, Sri Zulfia
Journal of Home Economics and Tourism Vol 10, No 3 (2015): Priode September 2015
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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This study aims to reveal the color (hue), dark light color (value) and flatness, and wash resilience. This study was an experimental study. The type of data is primary data sourced from the 15 panelists. The object is dipped silk fabric with extracts of rosella flower petals with alum mordant. Where do the data analysis techniques with engineering analysis of varianceone (one-way ANOVA). From the comparison of the dye solution (vlot) 1:10 produce powder blue color, light and dark colors (Value) is at katerori bright, flatness is in the category average and for washing resistance is at good enough category. Whereas in comparison dyebath (Vlot) 1:20 and 1:40 to produce color light blue, light dark color (Value) is at katerori quite bright, flatness is in the category average, and for washing resistance is at good enough category. Results of hypothesis testing showed the name of the color (F arithmetic (8.933)> F table (3.22) and dark colors (Fhitung (35.467)> F table (3.22) there are significant differences. As for the flatness of color (F count (2.907)> F table (3.22) and wash resistance (F arithmetic (0.214) <F table (3.22) there is no significant difference. Keywords: Comparison of dye liquor (Vlot), results of Immersion, extract rosella flower petals
TINGKULUAK DI NAGARI KOTO NAN GADANG KOTA PAYAKUMBUH PROVINSI SUMATERA BARAT Hurahmi, Intah Mifta; Efi, Agusti; Novrita, Sri Zulfia
Journal of Home Economics and Tourism Vol 10, No 3 (2015): Priode September 2015
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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The purpose of this research is to describe about the form, the technique and making the philosophical meaning of tingkuluak at Nagari Koto Nan Gadang Payakumbuh, West Sumatera Province. The type of this research is qualitative. The data source are primary and secondary data. The collecting technique of the data using observation, interviews and documentation. The result of this research are : 1) The form of Nagari Koto Nan Gadang Payakumbuh West Sumatera Province’s has many variation, there are : a) The form of tingkuluak which like buffalo horn with the blunt, tip called tingkuluak baikek, b) The big tingkuluak, where at the top of the head of tingkuluak is like chimney, the name of this tingkuluak is tingkuluak kompong and tingkuluak talakuang putiah but this tingkuluak is bigger than tingkuluak kompong. c) The tingkuluak which has a simple form, on the side of this tingkuluak is upright and it’s called tingkuluak bugih. 2) The technique of making tingkuluak is first tingkuluak baikek, by wrapped the tingkuluak two times, to the head so it is like buffalo horn but the end is blunt and the technique to make tingkuluak kompong and tingkuluak talakuang putiah are by slung the tingkuluak on the head, but it is made big like chimney but tingkuluak talakuang putiah is bigger than tingkuluak kompong and to make tingkuluak bugih is by slung the tingkuluak on the head and at the end of the fabric is up. 3) The philosophical meaning of the tingkuluak baikek are brave, fair, persevring and never give up. The tingkuluak kompong has the meaning a modesty. Tingkuluak bugih has the meaning a friendly and persevering and the tingkuluak talakuang putiah has meaning simplicity and the holy of our religion.Keywords: Tingkuluak, tingkuluak baikek, tingkuluak kompong, tingkuluak talakuang putiah dan tingkuluak bugih
FAKTOR – FAKTOR YANG MEMPENGARUHI PRODUKSI BATIK BASUREK DI KOTA BENGKULU PROVINSI BENGKULU Wulan Dari, Ponda Tiara; Novrita, Sri Zulfia; Nelmira, Weni
Journal of Home Economics and Tourism Vol 15, No 2 (2017): Periode September 2017
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Many factors that affect production batik basurek of batik industry in thecity of Bengkulu. Among them was caused by the supply of raw materials has notbeen efficient, the lack of a competent workforce, and the high cost ofproduction/capital in batik. The aimed of this research was to describe whetherthere is influence of the raw materials, labor, and cost of production of batikbasurek against capital in the city of Bengkulu province of Bengkulu. The type ofresearch that is quantitative descriptive, with the entire population of industryleader batik basurek, as many as six people. The number of samples is equal tothe number of population. The technique of sampling using the technique saturated of sampling. Engineering data collection using the likert scale withquestion form distributed to respondents and have tested the validity andreliability. The results showed: 1) inventories raw materials are located on bothcategories of 50.00%. 2) amount and quality of labor with very high requirement,low and very low each of 33,33%. 3) availability of production cost/very highcapital of 66,66%. 4) the quality and number of batik production with a very highrequirement, low and very low each of 33,33%). Based on multiple regressionanalysis, hypothesis testing and the results of the determination of the coefficientindicates that the raw material (X1), labor (X2), and cost of production/capital(X3), has a positive influence and significantly to the production of batik basurekamounted to 99.8%.Keywords: Batik basurek production, the city of Bengkulu.
KERAJINAN RENDO BANGKU DI NAGARI KOTOGADANG KABUPATEN AGAM PROVINSI SUMATERA BARAT Putri, Fanny Eka; Ernawati, Ernawati; Novrita, Sri Zulfia
Journal of Home Economics and Tourism Vol 9, No 2 (2015): priode Juni 2015
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

The bench is one of the lace crafts products owned by the local communityKotogadangAgam regency of West Sumatra. The purpose of this study was todescribe decorative lace bench based motif, colors and materials, equipment andmanufacturing processes as well as products of craft lace bench at AmaiSetiaFoundation Kotogadang. The technique of collecting data through interviews,observation and documentation. Data analysis technique is data reduction datapresentation and conclusion.The study states that the decorative lace bench mosthave a motive Flora, fauna and motifs inspired by the shape of the object. Coloryarn products depending on the material used. The equipment used is very simple.The process of making is the start of a set peralatanhingga motifs and interestingtwist yarns. Lace handicraft products Bench consisting of household linen, laceends and edges of shawls, wedding dress fittings, and other product
PERBEDAAN TEKNIK MORDANTING TERHADAP HASIL PENCELUPAN ZAT WARNA ALAM EKSTRAK DAUN SAMBANG DARAH (EXCOECARIA COCHINCHINENSIS) DENGAN MORDAN TAWAS PADA BAHAN SUTERA Sulityowati, Dwi Oktarina; Adriani, Adriani; Novrita, Sri Zulfia
Journal of Home Economics and Tourism Vol 10, No 3 (2015): Priode September 2015
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

Penelitian ini bertujuan untuk mengungkapkan warna (hue), gelap terang warna (value) dan kerataan warna pada hasil pencelupan bahan sutera menggunakan ekstrak daun sambang darah (Excoecaria cochinchinensis) dengan mordan tawas. Jenis penelitian ini merupakan penelitian eksperimen. Data yang digunakan adalah data primer yang bersumber dari 15 orang panelis, kemudian data yang terkumpul diolah dan dianalisis menggunakan ANOVA dan Persentase. Warna yang dihasilkan pada pencelupan bahan sutera menggunakan ekstrak daun sambang darah (Excoecaria cochinchinensis) yakni Brick Red, dengan mordan tawas menggunakan teknik pra-mordanting adalah Sand dengan value sangat terang dan kerataan warna rata. Meta-mordanting adalah French Grey dengan value tidak terang dan kerataan warna kurang rata dan post- mordanting adalah Warm Grey dengan value kurang terang dan kerataan warna rata. Hasil analisis data gelap terang warna (value) menunjukkan Fhitung > Ftabel = 47.898 > 0,514. Artinya terdapat perbedaan yang signifikan terhadap gelap terang warna (value) akibat perbedaan teknik mordanting. Pada kerataan warna menunjukkan Fhitung > Ftabel = 28.392 > 0,514. Artinya terdapat perbedaan yang signifikan terhadap kerataan warna akibat perbedaan teknik mordanting
MOTIF DAN PEWARNAAN BATIK TULIS DI DUSUN GIRILOYO DESA WUKIRSARI KECAMATAN IMOGIRI KABUPATEN BANTUL PROVINSI DAERAH ISTIMEWA YOGYAKARTA (Studi Kasus di Industri Batik Sri Kuncoro) Hadaf, Alifa; Adriani, Adriani; Novrita, Sri Zulfia
Journal of Home Economics and Tourism Vol 11, No 1 (2016): Priode Maret 2016
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

This research aimed to describe the shape of classical batik motif Yogyakarta using natural dyes and synthetic dyes as raw materials in the coloring process. This research method uses qualitative descriptive research. The data collection is done by using interview, observation and documentation. In this study, the informant of this data including: the leader and some of the craftsmen who know about batik and batik dyeing in in Sri Kuncoro batik industry. Furthermore, the data reviewed and analyzed by the steps of data reduction, data presentation, and conclusion drawing. Data validation was done by triangulation to the head of the village, batik museum educators.The survey results revealed that: there are hundreds of different name of classical motifs but the kind that widely produced in batik Sri Kuncoro is the motive sidoasih, sidomukti, wahyu tumurun, truntum, srikuncoro, udan liris, and sirgunggu wiguno. The motives provided are decorative naturalist, geometric, and decorative ornament consisting of primary, complementary ornament, and IsenIsen. In coloring method using two kinds of colorings, the two substances are natural dyes from plants derived from leaves, flowers, fruit peel, bark, and roots of plants, whilst the types of synthetic dyes are using naphtol, indigosol, and rapide. For batik dyeing process, the stages starting from mordanting of natural dyes, pattern making, klowong, nerusi, ngiseni, mencolet, menembok, dyeing, sagging, then the second dyeing process is to covers down. Kata kunci: Batik Sri Kuncoro, Bentuk motif batik, Proses pewarnaan
STUDI TENTANG SUNTING BUNGO SANGGUL DI KENAGARIAN KOTO BARU KECAMATAN KUBUNG KABUPATEN SOLOK Hasriawati, Leli; Adriani, Adriani; Novrita, Sri Zulfia
Journal of Home Economics and Tourism Vol 15, No 2 (2017): Periode September 2017
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

The problem in this research is the most dominant thing happened in Koto Baru Society especially the younger generation is less understanding the meaning contained in edit because there is no special invention book or complete documentation about edit in this Koto Baru Kenagarian. This study aims to describe bungo bun in Kenagarian Koto Baru Kubung District Solok District which includes the design (Motif, Shape / Model) and the meaning contained. This type of research is descriptive qualitative which express, study and interpret the data as it is. Data processed verupa words. Type of data in the form of primary data and secondary data. Data collection techniques using three techniques of observation techniques, interviews and documentation, while the instrument is the research itself. Data analysis in qualitative research is conducted before entering the field, field and after completion of the field, to test the validity of data. The result of this research is obtained motif that used is flower motif of cempaka, jasmine, rose, amethyst, butterfly motif, swallow, elderly bird, and ornament of root vine. Bungo bun shape resembles a triangle on the front, whereas if edit in lentang will have two forms that is on the back of a trapezoidal shape and the front remains triangular. The meaning of the philosophy contained in the bun flowers is a decoration for the head by women while performing the wedding. The back of a trapezoidal-shaped edit symbolizes the chaos.Keywords: Senting bun, Head cover, Koto Baru
Co-Authors Adriani ADRIANI ADRIANI Adriani Adriani Agusti Efi Ali Djamhuri Almagita, Rachmy Bunga Alvina Alvina Ambiyar, Ambiyar Andriani, Rika Anisa Anggraeni, Anisa Annisa Prima Asmar Yulastri Asrah Rezki Fauzani Budiwirman Cahya, Nana Dwi Debi Novita Delmasari, Pujiana Dewi, Siska Miga Diva, Rahmatul Ernawati Ernawati Fatihaturahmi Fatihaturahmi Febian Vebyola Febri yanti Gabila Heira Mutia Ganefri . Giatman Gusmira, Gusmira Gustia Putri, Fany Gustina Gustina Hadaf, Alifa Hafizah, Ovi Muara Halimul Bahri Hansi Effendi Hardanti, Elvi Hasriawati, Leli Hurahmi, Intah Mifta Husni, Rafikah Idzni Hanifati Ilfira Gusti Jamhari Jamhari KARMILA, IIN Lilik Suheri Lucy Fridayati Mailani Pratiwi Mela Maha Revianti mita yani Muharrani, Khalishah Rezky Mulyana, Annisa Murni Astuti Muskhir, Mukhlidi Nizwardi Jalinus Nurhasan Syah Oktarina, Rahmi Oktaviani, Vina Puji Hujria Suci Pujiana, Pujiana Puput Novitasari, Puput Purnamawati, Sischa Puspa, Puspaneli Puspaneli Puspaneli Putri Ramadani Putri, Fanny Eka Putri, Lolita Aida Rahmadani, Ade Fitri Rahman, Doni Rahmiati Rahmiati Ramelawati, Ramelawati Refdinal, Refdinal Reni Fitria Resfi Norma Kuwala Rika Syafitri Rina Susanti Rini Widyastuti Sari Nurhardini Sefriani, Rini Sri Setiya Dewy Suci Rahmawati Sulityowati, Dwi Oktarina Syafriani, Selly Syahril Syukraini Putri, Afifi Wahyuni, Riza Weni Nelmira Wulan Dari, Ponda Tiara Yasnidawati Yasnidawati Yenni Idrus Yolanda Pratama Isfi Yudi, Nindika Gustri Yulia Aryati Yusmerita Yusmerita Yusmerita Yusmerita Zulmardi Zulmardi Zulmi, Yuliya