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Rahmat Rahmat
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Journal : Al-Mishbah: Jurnal Ilmu Dakwah dan Komunikasi

 1 
MAKNA SIMBOLIK RUMAH ADAT FOLAJIKO SARABI TIDORE Rahmat Rahmat
Al-Mishbah: Jurnal Ilmu Dakwah dan Komunikasi Vol 16 No 2 (2020)
Publisher : Komunitas Dosen Dakwah Institut Agama Islam Negeri (IAIN) Palu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24239/al-mishbah.Vol16.Iss2.197

Abstract

The traditional house of Folajiko Sarabi is closely related to the Tidore Sultanate, which is the Islamic Kingdom, which is one proof of Islamic civilization in the past, and its existence still exists today. The results of this study indicate that the architectural construction of thetraditional house is folajiko sarabi divided into three parts, namely (1) the construction of the top, likened to the human head which is the highest and most important part of its role in the structure of the human body. the shape of the roof of the traditional house of Folajiku Sarabi is triangular in shape like the hat of Sultan Tidore which is known as besu. (2) The construction of the middle is likened to the human body. In this part of the body there is a Jaro, which is a whole bamboo pole that is attached by means of the base of the bamboo at the bottom and the tip is above, which means a living creature created by Allah that grows alive on the ground. (3) The construction of the lower part is likened to a human leg that must be able to support it in any condition. In this section, there is a hang, which means a large bamboo base or foundation on which thesupported jaro is. In this part of the foot, there is a hale or land as a floor, land also means prosperity, because most living things depend on crops or land as a source of livelihood.
Co-Authors Abu Bakar Achmad Fauzi Kusmin Ade Khadijatul Z. Hrp Ade Khadijatul. Z Hrp Aminullah Aminullah Andi Ahmad Chabir Galib Andi Muhammad Ikbal Salam Andri Soemitra Anisa Anisa Arinal Magfirah Asmaul Husna Asmawati Asmawati Asriani Sitorus Baba, Basri Budi Prayetno Busnawir Busnawir Dadang Karmen Dian Firdiani Didi Suherdi Dudi Komaludin ELIHAMI, ELIHAMI Emmi Rahmiwita Nasution Fahri Fahri Gunaedy Utomo Hendra Gunawan Hendrawan Hendrawan I Nengah Suwastika I Putu Samskerta Imzakiyyah Ramadani Indah Hervina Indah Hervina Irman Syarif Irna Hendriyani Ismaya Ismaya Ita Sarmita Samad Jafar Jafar Jumrawati Tahang Kafrawi Kafrawi Kencanawati, Martheana Kintan Rahmi Fauziah Kodirun Komis Simanjuntak M. Taufiq Ikhsan Masnur Masnur Masrurah Arifin Bando Mauridhi Hery Purnomo Muh Idham Haliq Muhammad Afif Muhammad Aidil Muhammad Husnur Rofiq Muhammad Ruswandi Djalal Muhammad Syihabuddin Taufiq Mulianti Mustikasari Mustikasari Nabawi, Rahmat Azis Nandang Jamiat Nugraha Nirwana Sukmawati Nuhung Suleman Nur Afif Nurasia Nurasia Nurhalimah Simorangkir Nurul Magfirah Rusdi Nurwahidah Nurwahidah PATRIANI PATRIANI purwantono purwantono Rachmad Setiawan Rahmat Redha Ilahi Rani Putri Pribadi Rasiam Rasiam Ria Rifna Sukma Rianta Pratiwi Rizky Dian Bareta Sri Muliani Sriwiyata Ismail Suheriah Mulia Devi Suheriah Muliadevi Suherman suherman Sumardi Sumardi suparman suparman Syatrawati Syatrawati Tatang Abdurrahman Triyono Triyono Umi Qanuni Ushwa Dwi Ushwa Dwi Masrurah Arifin Bando Usri Usri Wa Ode Husriawati Wahyu Raesandi Yakob Godlif Malatuny Yultrisna yultrisna Yunus Busa Zahraeni Kumalawati Zuhrinal M. Nawawi Zulkarnain Zulkarnain